A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

La Fête - Damien Tran
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Brantford & Keene #2 - Collectif
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Débris N°2 - Théo Garnier Greuez
Alma Mater n°1
Mothers - Christophe Berlet & Valentine Morali
Plus c'est facile, plus c'est beau : prolégomènes à la plus belle exposition du monde - Éric Watier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Le vieux père - Laurent Kropf
Autodrône - Divine Vizion
Land Dyke(s) - Oregon Lesbian Lands - Louise Toth
Inchiostri + Inchiostri Supplement - Ronan Bouroullec
Anémochorie - Antonin Detemple
Bacon le Cannibale - Perrine Le Querrec
Watch out - Anne-Émilie-Philippe 







































