To Be Determined: Photography and the Future is a book with a radical proposal: the photograph is as much an object of the future as it is of the past. Exploring a familiar medium with new eyes, the book proposes that photographs’ technologies, processes, experiences and products, are in fact geared towards a world to come, and not a world that has been.

Written as a sequence of short interlinking essays, mixing ideas, studies of artworks, and the history of photography, To Be Determined takes its cue from Czech-born emigré philosopher Vilém Flusser, in its quest to reconceive the tools of photography and show how they inform and create the world around us.
Moving between contemporary photography and fine art, the book proposes that artists and photographers who question photography’s capacities – to transform our relationship to time, rewire our perception, and describe our encounters with technology – can also alter our understanding of the medium, and in turn, change our perception of our own agency, and our capacity to see, think and act.
Such an understanding of photography, Wooldridge suggests, has substantial consequences for the world beyond the image, and positions photography outside of study or observation and in a field of activity and experimentation.
Duncan Wooldridge (born 1981) is an artist, writer and curator. He received an MA in Photography from the Royal College of Art, and is course director for the BA in Fine Art Photography at Camberwell College of Arts, University of the Arts London (UAL). He is the author of John Hilliard: Not Black and White (Ridinghouse) and is a regular contributor to 1000 Words, Foam, and Over.
Number of pages: 182

Critique d'art n°54
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Rois de la forêt - Alain Garlan
Blaclywall by Sihab Baik - Claude Closky
It was a good day - Jeremy Le Corvaisier
Étrangement seuls - Jean-Pascal Princiaux
Sights - Henry McCausland
SKKS - Gilles Pourtier
Editer l’art – Leszek Brogowski
Polyphème (d'après Euripide) - J. & E. LeGlatin
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
La tour Tatline - Georgi Stanishev
Alma Mater n°1
Avec ce qu'il resterait à dire - Anne Maurel
Seoul Flowers & Trees - tribute to Lee Friedlander
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Mission Control - Emir Karyo & Jan Wojda
Critique & création - L.L. de Mars
Critique d'art n°56
Ar(t)chitectures situées - Étienne Delprat
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Bacon le Cannibale - Perrine Le Querrec
Spécimen Typographique : No Ko - Loris Pernoux
Objets Minces - Collectif
Modern Instances, The Craft of Photography - Stephen Shore
interférence - 2 - maycec
Talweg 6 - La distance
Optical Sound 2
Konrad Becker - Dictionnaire de réalité stratégique
Promenade au pays de l'écriture - Armando Petrucci
UPO 2 - J'aimerai être là - Xenia Naselou
Brush Master - Jasper "Mississippi" Travis
Gros Gris n°4 - Duel
The Shelf - Journal 3
Berlin Design Digest
Le corps travesti - Michel Journiac
Aurore Colbert - Marie Mons
Assembly - Sam Porritt
Salt Crystal - Fabio Parizzi
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Tomber dans l'escalier - Jasper Sebastian Stürup
De lave et de fer - Laurent Feynerou
Sillo n°3 - Le Fauve
Prose postérieure - Les commissaires anonymes
IRL - In real life n°1 - Coll.
Burning Images, A History of Effigy Protests - Florian Göttke
Slanted 30 - Athens
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Radio-Art - Tetsuo Kogawa
ARTZINES #1, Paris issue
twen [1959–1971]
Prototype 02 - morcellement
Un essai sur la typographie - Eric Gill
Shanghai Cosmetic - Leslie Moquin
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Pénurie - Zivo, Jérôme Meizoz
Inframince et hyperlié - Philippe Lipcare 















