The Natural Enemies of Books is a response to the groundbreaking 1937 publication Bookmaking on the Distaff Side, which brought together contributions by women printers, illustrators, authors, typographers and typesetters. It highlights the print industry’s inequalities and proposes a takeover of the history of the book.

Edited by feminist graphic design collective MMS (Maryam Fanni, Matilda Flodmark and Sara Kaaman), Natural Enemies includes several new essays and poems by Kathleen Walkup, Ida Börjel, Jess Baines and Ulla Wikander. It also offers conversations with former typesetters Inger Humlesjö, Ingegärd Waaranperä, Gail Cartmail and Megan Dobney as well as reprints of the original book.
The Natural Enemies of Books is funded by the Swedish Arts Grants Committee and through an artist-in-residence period at Grafikens Hus, in collaboration with the Södertälje Konstnärskrets.
Softcover, black and white
English
ISBN 978-0-9954730-3-4
110 × 190 mm, 192 pp. 2020

De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Keywording (Post) Contemporary Art - Greta Rusttt
Sans titre - Benjamin Hartmann
Burning Images, A History of Effigy Protests - Florian Göttke
Mökki n°4
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
SKKS - Gilles Pourtier
Radio-Art - Tetsuo Kogawa
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Critique & création - L.L. de Mars
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
La traversée - Magali Brueder
Zoom Age - Julien Auregan
9 octobre 1977 - Roberto Varlez
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Tomber dans l'escalier - Jasper Sebastian Stürup
In The Navy - Julien Kedryna
La grande surface de réparation - Gilles Pourtier
Carnivore - Grow
Jawa Tengah Combo - Fred Maillard
Pénurie - Zivo, Jérôme Meizoz
Prose postérieure - Les commissaires anonymes
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude 













