Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Rois de la forêt - Alain Garlan
America - Ayline Olukman, Hélène Gaudy
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Deep state - Mathieu Desjardins
Grilles - Zelda Mauger
Critique d'art n°55
Watch out - Anne-Émilie-Philippe
Aurore Colbert - Marie Mons
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Vacuité 9090 - Jérémy Piningre
Dessins pour Rugir - Virginie Rochetti
Hideous - Thomas Perrodin, Néoine Pifer
Sights - Henry McCausland
Bambi # 4 - Collectif
Shanghai Cosmetic - Leslie Moquin
Piano - Joseph Charroy 





