Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Bacon le Cannibale - Perrine Le Querrec
Optical Sound 3
Critique d'art n°55
Un essai sur la typographie - Eric Gill
Pectus Excavatum - Quentin Yvelin
L'internationale modique (AND 3) - J-M. Bertoyas
Cyclone - Juliette Chalaye
Dark optics - David Claerbout
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Anderlecht — Molenbeek - Pierre Blondel
De tels baisers - Jul Gordon
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
akaBB - tribute to Roni horn 





