Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Der Erste Rotkehlchen - Le livre
Le 6b Saint-Denis, dans un tiers-lieu culturel
Seoul Flowers & Trees - tribute to Lee Friedlander
Artzines # 10 - Show & Tell #2 NY Special
Spécimen Typographique : No Ko - Loris Pernoux
Dans la Lune - Fanette Mellier
Photographic Fields - Joël Van Audenhaege
Darkest Night - Joel Van Audenhaege
Gros Gris n°4 - Duel
It was a good day - Jeremy Le Corvaisier
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Instructional Photography: Learning How to Live Now - Carmen Winant
Strates & Archipels - Pierre Merle
Watch out - Anne-Émilie-Philippe
Aristide n°4
Poster Tribune # 11
Critique d'art n°56
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le déclin du professeur de tennis - Fabienne Radi
Pectus Excavatum - Quentin Yvelin 





