Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Dessins pour Rugir - Virginie Rochetti
Pénurie - Zivo, Jérôme Meizoz
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Le blanc nez - Fouss Daniel
Illusive prosody - Alex Beaurain
Sillo n°3 - Le Fauve
AMONG THE TREES - LIVIA DE MAGISTRIS
Spectres n°4 - Mille voix
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Aurore Colbert - Marie Mons
Optical Sound 3
Critique d'art n°55
Radio-Art - Tetsuo Kogawa
Dernier royaume - Quentin Derouet 





