Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Salt Crystal - Fabio Parizzi
Shanghai Cosmetic - Leslie Moquin
Le Choix du peuple - Nicolas Savary, Tilo Steireif
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Rasclose - Geoffroy Mathieu
Pectus Excavatum - Quentin Yvelin
Optical Sound 3
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Le lacéré anonyme - Jacques Villeglé
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Deep state - Mathieu Desjardins
Halogénure #04
IMPROVISATION N. 190220 - Miki Lowe
The Shelf - Journal 3
Dédale - Laurent Chardon
Michael Riedel - Milan Ther
Dear Paul - Paul Van der Eerden
Hello tomato - Marion Caron & Camille Trimardeau
Critique d'art n°54
A l'origine - Anne-Émilie-Philippe
Les Mains sales - Collectif 





