Foreword by Sheila Rowbotham
Founded in 1974, See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humour and bold graphics, they expressed the personal experiences of women as well as their role in wider struggles for change.

Written by See Red members, detailing the group’s history, the book features all of their original screenprints, alongside posters commissioned for radical groups and campaigns. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation — and have continued relevance for today.
Paperback, 184 pages, 31 × 22 cm
Designer: Clare Mason

La typographie des Penguin Classics - Andrew Barker
Dernier royaume - Quentin Derouet
Eldorado maximum - Les commissaires anonymes
Savoir Revivre - Jacques Massacrier
La traversée - Magali Brueder
Eros negro n°4 - Démoniak
Woman Journal Vol. 4 - Outils d'Émancipation (Tools for Emancipation)
I Am Not I - Boris Mikhailov
Bacon le Cannibale - Perrine Le Querrec
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Roven n°4
Beuglan’tif - Coll.
Good Company - Paul Van der Eerden
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Retour d'y voir - n° 1 & 2 - Mamco
People in a faraday cage - Stéphanie Gygax
Imagos - Noémie Lothe
SKKS - Gilles Pourtier
L'arum tacheté de J-M. Bertoyas
Autodrône - Divine Vizion
Eros negro n°3 - Démoniak
Typologie – La tente de camping
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon 











