As you see on the front cover of this issue, one can easily grow one’s own salt crystal at home, using a glass of salted water and a string attached to a pencil. Within few days the evaporation of water induces a shifting of matter from the water to the string as the less energetic way for sodium chloride to reorganise itself.

After discovering the principle of natural salt crystallisation near Salzburg were miners used to offer to tourists dry branches
covered with a shining deposit of crystals, French writer Stendhal in his essay ‘On Love’ (1822) used it as a metaphor to describe the ‘birth of love’ in human relationships.
According to Stendhal, the mental process when one sees flattering illusions in a new love, hiding the unattractive characteristics of this person, is quite similar to the sparkly diamonds covering a leafless piece of wood after the natural crystallisation of the salt.
Exploring the same phenomenon, Fabio Parizzi intended in this book to describe this chemical reaction with 50 sketches.
This visual attempt to understand the basic structure of matter in space and its physical behaviour embracies the fascination of mankind for the primary form of solid structure first described by Plato more than 2.300 years ago.
SALT CRYSTAL
Edited by
Philippe Desarzens
Crystal drawings and tattooed arm
Fabio Parizzi
148,5 / 204 mm, 53 pages
Xerox printed
Book edges printed in black

Gruppen n°13 - Collectif
Grilles - Zelda Mauger
Cyclone - Juliette Chalaye
Désolation - Verity Spott
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Escape - Makiko Minowa
It was a good day - Jeremy Le Corvaisier
Le lacéré anonyme - Jacques Villeglé
Sillo n°3 - Le Fauve
Illusive prosody - Alex Beaurain
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Polygone n°01 - Amour - Collectif
Farandole - Jérémie Fischer
Keywording (Post) Contemporary Art - Greta Rusttt
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Mökki n°4
Optical Sound 2
Lili, la rozell et le marimba / revue n°2
Rois de la forêt - Alain Garlan
Manuel d'écologie urbaine - Audrey Muratet, François Chiron
Gros Gris n°4 - Duel
Retour d'y voir - n° 3 & 4 - Mamco
interférence - 2 - maycec
Le corps travesti - Michel Journiac
C'est les vacances n°2 - coll. dir. Eugénie Zely
ARTZINES #1, Paris issue
Fluent - Laëticia Donval
Critique d'art n°54
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Revue Les Saisons n°3
Victor Papanek - Design pour un monde réel
L'œuvre des matières - Ivry Serres
Roven n°4
Paysageur n°3 - Mobiles
Les Grands Ensembles - Léo Guy-Denarcy
Alma Mater n°1
Optical Sound 3
Blaclywall by Sihab Baik - Claude Closky
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
The life of Ruben - Bernardo Sousa Santos
Eros negro #2 - Demoniak
Le blanc nez - Fouss Daniel
fig. #6 - antithèse
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Comic Book (Untitled) - Stéphanie Leinhos
Soundtrack/s - Rosaire Appel
Darkest Night - Joel Van Audenhaege
fil·le·s de polypropylène bleu - coll.
Karbone Magazine n°8 - Parasite
Génération dakou - Yann Jun + CD
Bacon le Cannibale - Perrine Le Querrec
ARTZINES #3 - Tokyo issue
Dark optics - David Claerbout
Der Erste Rotkehlchen - Le livre
Tableaux fluo - 2013-2016 - Nina Childress
Pectus Excavatum - Quentin Yvelin
Anderlecht — Molenbeek - Pierre Blondel
Le vieux père - Laurent Kropf 



