The designs of acclaimed Swiss graphic designer Rosmarie Tissi are characterised by an objectively clear yet undogmatic style. A defining aspect of Tissi’s work is her playful approach, combined with a predilection for bold colour contrasts, typeface, and geometrical shapes. Her individual style has lost none of its originality and freshness in almost 60 years of design work, a feat which is celebrated in this first synopsis of her complete graphical oeuvre. Covering a host of magazines, logos, corporate images, headline fonts, advertisements, packaging, and more, it rediscovers Tissi’s achievements, unparalleled among female Swiss graphic designers of her generation.

128 p, ills colour & bw, 21 x 25 cm, pb, German/English

Mökki n°2
Gruppen n°14 - Collectif
L'internationale modique (AND 3) - J-M. Bertoyas
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Dark optics - David Claerbout
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Wayfaring - Patrick Messina, André S. Labarthe
People in a faraday cage - Stéphanie Gygax
movement in squares - Stefanie Leinhos
Tomber dans l'escalier - Jasper Sebastian Stürup
Temps d'arrêt - Etienne Buyse
GENUINE OCCIPUT DATA - Hector Mosko
Seoul Flowers & Trees - tribute to Lee Friedlander
Bande Annonce - Cinéma & Bande Dessinée - Coll.
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Piano - Joseph Charroy
America - Ayline Olukman, Hélène Gaudy
Philonimo - Le Corbeau d’Épictète - Alice Brière-Haquet, Csil
À partir de n°1 - Coll.
Fluent - Laëticia Donval
Deep state - Mathieu Desjardins
Polyphème (d'après Euripide) - J. & E. LeGlatin
Imagos - Noémie Lothe
A l'origine - Anne-Émilie-Philippe
Halogénure #04
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Ravedeath Convention - Jan Philipzen
twen [1959–1971] 
























