
Friendship creates security, protection, care and togetherness where institutions fail to provide queer people with adequate support structures, or even worse, incite discrimination. Especially in the art sector, queers represent stakeholders with multiple precarious backgrounds exposed to increased economic and health pressures. This is where queer relations and networks can serve as safety nets, strategies of emotional and economic support as well as survival.
This zine is about friendship in a double sense. It is based on a long and deep communion between the editors. In addition, nine artists and collectives discuss the topic in many different ways: often overtly addressing intimacy, like-mindedness, closeness, and often vaguely, along the lines of technology, networks, and dependence.
Intended to be a space for queer artists, queer art and queer themes, Rosé puts the works at its center. It features photography, performance, design, installation, happening, painting, social media art, sculpture and drag. In this sense, Rosé can be seen as an exhibition that can be touched, picked up, taken away and shared. This is Rosé, meant to be in motion.

Before Science - Gilles Pourtier, Anne-Claire Broc'h
Poèmes - Yvonne Rainer
Pectus Excavatum - Quentin Yvelin
Watch out - Anne-Émilie-Philippe
Dans la Lune - Fanette Mellier
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Mosaïque d'asphalte - Jack Torrance
Blaclywall by Sihab Baik - Claude Closky
Shanghai Cosmetic - Leslie Moquin
Bisou Magique - Coll.
Ellipse - Ismail Alaoui-Fdili
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Talweg 6 - La distance
Le dos des choses - Guillaume Goutal
Les voiles de Sainte-Marthe - Christian Rosset
Livre d'un Révélation - Chloé Ravenel
Menus Plaisirs - Lisa Mouchet
Folding Space Ship - ottoGraphic
Revue Les Saisons n°3
Recto Versu - Bill Noir
Critique d'art n°54
Elsa Klée - Elsa & The Haters #3, Good allies
Flower finds - Orianne Jeanselme 







