Lucerne-based Armin Hofmann (* 1920) is considered one of the most influential graphic designers in Switzerland. With his extensive graphic and educational work, he has contributed significantly to the international reputation of Swiss graphic design and influenced generations of graphic designers and teachers around the world.

On 29 June 2020 Armin Hofmann celebrated his 100th birthday with his family. On the occasion of this round anniversary, his son Matthias Hofmann, who is also a graphic designer, published the book “Armin Hofmann. Reduction. Ethics. Didactics.”
It provides a comprehensive overview of Armin Hofmann’s creative work, his professional ethical convictions and the didactic principles he developed. Thanks to the exclusive access to non-public original sources (his entire creative work, original manuscripts, unpublished texts, thought sketches and photographs), the book enables an authentic, deep and multifaceted immersion into the work of Armin Hofmann.
New insights into his intellectual world and professional attitude become possible. In addition to a professional examination of Hofmann’s work, a detailed personal biography and the most comprehensive compilation of his creative work to date (330 pictures), the book also contains original texts by Armin Hofmann on various aspects of his oeuvre.
Eight guest contributions by world-renowned graphic designers and typographers paint a personal picture of the person Armin Hofmann and illustrate the great international influence of his work. Guest contributions by the US-American graphic designer and trans-media artist April Greiman, the German typographer and graphic designer Wolfgang Weingart as well as the Indian type designer and designer Mahendra Patel among others.
Probably the most personal and comprehensive book about the life’s work of Armin Hofmann!

A l'origine - Anne-Émilie-Philippe
Seoul Flowers & Trees - tribute to Lee Friedlander
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Slow Down Abstractions - Adrien Vescovi
Spécimen Typographique : No Ko - Loris Pernoux
La prise - Florian Javet
Optical Sound 3
Le vieux père - Laurent Kropf
Dark optics - David Claerbout
Perturbations - Rosaire Appel
Deep state - Mathieu Desjardins
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
KUHANE O TE AKI - Stephie Devred
Baron - Richard Kern
L'arum tacheté de J-M. Bertoyas
Mökki n°4
The Shelf - Journal 3
Assembly - Sam Porritt
Tchat - Gary Colin
Erlebnispark - Paul & Carla
Laura Mulvay - Fetichisme et curiosité
Gros Gris n°4 - Duel
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Distant Egghug - Peter McDonald
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Prose postérieure - Les commissaires anonymes
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Atopoz - Collectif
Konrad Becker - Dictionnaire de réalité stratégique
It was a good day - Jeremy Le Corvaisier
Lavori in corso - Florence Cats & Joseph Charroy
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Ilya Ehrenbourg - Et pourtant elle tourne
Dans la Lune - Fanette Mellier
Sights - Henry McCausland
Strates & Archipels - Pierre Merle
La Typographie Moderne - Robin Kinross 















