
Pope Francis,
Ekow Eshun
Aria Dean
Stephen Shore
Issy Wood
Huw Lemmey
Traum Inc.
Anna Blessmann
Rebecca Sharp
Brady Ng
Hera Chan
Pekeri Ruska
Peer Illner
A & R. bin Shabib
Adjustments Agency
Ben Cullen Williams
Charlie Robin Jones
Jack Self
Michel de Montaigne
WEB Bois
We can’t go back, but we don’t want to. Nor can we go on like this much longer. What will emerge from such a transitional phase, when the civic body is so lacking in health (physical, moral, political and economic)?
The Renaissance was not an end in itself, but a bridge between two paradigms (feudalism and modernity). It was a cultural movement that diverted history by rediscovering lost pasts. Today, we do not need newness to cut short capitalist realism, to restore a degraded nature, to achieve greater equality. We have everything necessary for change. We only need the will.
INSIDE REAL REVIEW 10
What is a renaissance? We interview His Holiness Pope Francis on the commodification of our souls. Writer EKOW ESHUN reviews WEB BOIS’ double consciousness. Curator ARIA DEAN reviews FUTURE’s Mask Off and Black excellence. Photographer STEPHEN SHORE, in conversation with JACK SELF, reviews pictures of the present. Artist ISSY WOOD reviews Diet Coke. Editor and NHS worker REBECCA SHARP reviews the SOCIALIST PATIENTS COLLECTIVE, while BRADY NG and HERA CHAN review Hong Kong protest strategies.
Also in the issue: HUW LEMMEY reviews PIETRO ARETINO, the Renaissance master of pornographic literature and blackmail. TRAUM INC. with REAL REVIEW present a Renaissance collaboration inspired by MARCUS AURELIUS and GIOTTO. Artist ANNA BLESSMANN reviews absent artefacts and Indigenous activist PEKERI RUSKA reviews the Aboriginal concept of country. PEER ILLNER reviews WhatsApp and surveillance capitalism, while ADJUSTMENTS AGENCY reviews groundbreaking ceremonies. AHMED and RASHID BIN SHABIB review pigeon architecture and artist BEN CULLEN WILLIAMS reviews Antarctica (through the lens of AI neural networks). CHARLIE ROBIN JONES reviews horoscopes, MICHEL DE MONTAIGNE reviews solitude and JACK SELF reviews the internet.

Titanic Orchestra - Julien Mauve
Deep state - Mathieu Desjardins
Pénurie - Zivo, Jérôme Meizoz
Délié - Baptiste Oberson
Rasclose - Geoffroy Mathieu
Zoom Age - Julien Auregan
Gros Gris n°4 - Duel
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Lili, la rozell et le marimba / revue n°2
Le corps travesti - Michel Journiac
Holy etc. - Fabienne Radi
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Avec ce qu'il resterait à dire - Anne Maurel
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Sillo n°3 - Le Fauve
It was a good day - Jeremy Le Corvaisier
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Critique d'art n°56
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Le dos des choses - Guillaume Goutal
Le chateau enchanté - Atelier Mclane
Philonimo - Le Porc-épic de Schopenhauer - Alice Brière-Haquet, Olivier Philipponneau
The Shelf - Journal 3
SKKS - Gilles Pourtier
L'internationale modique (AND 3) - J-M. Bertoyas
Good Company - Paul Van der Eerden
Blaclywall by Sihab Baik - Claude Closky
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Il était deux fois - Gary Colin
Dessins pour Rugir - Virginie Rochetti
IMPROVISATION N. 190220 - Miki Lowe
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Papier magazine n°06 - Coupe du monde
Un peu comme voir dans la nuit - Leif Elggren + CD
Temps d'arrêt - Etienne Buyse
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Critique d'art n°54
Dédale - Laurent Chardon
Photographic Fields - Joël Van Audenhaege
Fluent - Laëticia Donval
Design sous artifice : la création au risque du machine learning - Anthony Masure
Alma Mater n°1 





















