
Pope Francis,
Ekow Eshun
Aria Dean
Stephen Shore
Issy Wood
Huw Lemmey
Traum Inc.
Anna Blessmann
Rebecca Sharp
Brady Ng
Hera Chan
Pekeri Ruska
Peer Illner
A & R. bin Shabib
Adjustments Agency
Ben Cullen Williams
Charlie Robin Jones
Jack Self
Michel de Montaigne
WEB Bois
We can’t go back, but we don’t want to. Nor can we go on like this much longer. What will emerge from such a transitional phase, when the civic body is so lacking in health (physical, moral, political and economic)?
The Renaissance was not an end in itself, but a bridge between two paradigms (feudalism and modernity). It was a cultural movement that diverted history by rediscovering lost pasts. Today, we do not need newness to cut short capitalist realism, to restore a degraded nature, to achieve greater equality. We have everything necessary for change. We only need the will.
INSIDE REAL REVIEW 10
What is a renaissance? We interview His Holiness Pope Francis on the commodification of our souls. Writer EKOW ESHUN reviews WEB BOIS’ double consciousness. Curator ARIA DEAN reviews FUTURE’s Mask Off and Black excellence. Photographer STEPHEN SHORE, in conversation with JACK SELF, reviews pictures of the present. Artist ISSY WOOD reviews Diet Coke. Editor and NHS worker REBECCA SHARP reviews the SOCIALIST PATIENTS COLLECTIVE, while BRADY NG and HERA CHAN review Hong Kong protest strategies.
Also in the issue: HUW LEMMEY reviews PIETRO ARETINO, the Renaissance master of pornographic literature and blackmail. TRAUM INC. with REAL REVIEW present a Renaissance collaboration inspired by MARCUS AURELIUS and GIOTTO. Artist ANNA BLESSMANN reviews absent artefacts and Indigenous activist PEKERI RUSKA reviews the Aboriginal concept of country. PEER ILLNER reviews WhatsApp and surveillance capitalism, while ADJUSTMENTS AGENCY reviews groundbreaking ceremonies. AHMED and RASHID BIN SHABIB review pigeon architecture and artist BEN CULLEN WILLIAMS reviews Antarctica (through the lens of AI neural networks). CHARLIE ROBIN JONES reviews horoscopes, MICHEL DE MONTAIGNE reviews solitude and JACK SELF reviews the internet.

Comment réparer : La maternité et ses fantômes - Iman Mersal
Escape - Makiko Minowa
L'arum tacheté de J-M. Bertoyas
Marcel Proust en cinq minutes — Jackson B. Smith
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Bacon le Cannibale - Perrine Le Querrec
Teddy et le Grand Terrible - Orian Mariat.
Temps d'arrêt - Etienne Buyse
La Vie moderne - Augustin Rebetez
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
AARC – Alter Architecture Research Collective n° 01
Talweg 6 - La distance
Pénurie - Zivo, Jérôme Meizoz
Dernier royaume - Quentin Derouet
Farandole - Jérémie Fischer
Gruppen n°13 - Collectif
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
La prise - Florian Javet
Cf. - Pierre Olivier Arnaud
Artzines # 10 - Show & Tell #2 NY Special
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Paysageur n°3 - Mobiles
Gros Gris n°4 - Duel
fig. #6 - antithèse
Critique d'art n°55
Le 6b Saint-Denis, dans un tiers-lieu culturel
Der Erste Rotkehlchen - Le livre
À partir de n°1 - Coll.
Photographic Fields - Joël Van Audenhaege
Zoom Age - Julien Auregan
Pectus Excavatum - Quentin Yvelin
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Le blanc nez - Fouss Daniel
Hybrid heads - Daniela Dossi
Slow Down Abstractions - Adrien Vescovi
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Je ne peux pas ne pas - Geneviève Romang
Science of the secondary #11 - Banana
Sans-Titre - Laurens Van'T Riet
Changer l'art par ses marges ? - Charlotte Laubard
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Le Gabion - Théo Robine-Langlois
Habitante 2 - Coll.
Mökki n°4
Mökki n°2
Karbone Magazine n°8 - Parasite 





















