Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

In The Navy - Julien Kedryna
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Der Erste Rotkehlchen - Le livre
Sans titre - Benjamin Hartmann
Zoom Age - Julien Auregan
Délié - Baptiste Oberson
Deep state - Mathieu Desjardins
Tomber dans l'escalier - Jasper Sebastian Stürup
Aristide n°4
Le corps travesti - Michel Journiac
La traversée - Magali Brueder
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Critique d'art n°55
SKKS - Gilles Pourtier
Retour d'y voir - n° 1 & 2 - Mamco
Temps d'arrêt - Etienne Buyse
Mökki n°4
Imagos - Noémie Lothe
Denver Mosaic 1961 - René Heyvaert
Seoul Flowers & Trees - tribute to Lee Friedlander 























