Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Strates & Archipels - Pierre Merle
Titanic Orchestra - Julien Mauve
Piano - Joseph Charroy
The Letter A looks like The Eiffel Tower - Paul Andali
9 octobre 1977 - Roberto Varlez
Mökki n°2
Konrad Becker - Dictionnaire de réalité stratégique
Talweg 6 - La distance
Pénurie - Zivo, Jérôme Meizoz
Le corps travesti - Michel Journiac 























