Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Teddy et le Grand Terrible - Orian Mariat.
Les Mains sales - Collectif
Breadcrumb, Art in your sandwich
Deep state - Mathieu Desjardins
Seoul Flowers & Trees - tribute to Lee Friedlander
Piano - Joseph Charroy
People in a faraday cage - Stéphanie Gygax
The Letter A looks like The Eiffel Tower - Paul Andali
Strates & Archipels - Pierre Merle
Un cheval, des silex - Benoît Maire, Sally Bonn
Bacon le Cannibale - Perrine Le Querrec
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Aurore Colbert - Marie Mons
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
movement in squares - Stefanie Leinhos
Le Choix du peuple - Nicolas Savary, Tilo Steireif 























