Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Musique pour les yeux - Johann Bertrand Dhy
Burning Images, A History of Effigy Protests - Florian Göttke
Optical Sound 3
Pectus Excavatum - Quentin Yvelin
Alma Mater n°1
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Le blanc nez - Fouss Daniel
Optical Sound 2
Critique d'art n°54
Entretiens – Jérôme Dupeyrat
Bande Annonce - Cinéma & Bande Dessinée - Coll.
MENU メニュー - Wataru Tominaga
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Titanic Orchestra - Julien Mauve
Konrad Becker - Dictionnaire de réalité stratégique
Ventoline 5 - Coll.
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Imagos - Noémie Lothe 























