Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Manuel pour formes et constructions nomades - Julien Rodriguez
Le dos des choses - Guillaume Goutal
Guten Tag - Pablo Tomek
Forsythia, Lilac and Geranium - Raffaella della Olga, Camila Oliveira Fairclough, Elsa Werth
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
La Typographie Moderne - Robin Kinross
In The Navy - Julien Kedryna
Inframince et hyperlié - Philippe Lipcare
Le blanc nez - Fouss Daniel
Critique d'art n°54
Planning - Pierre Escot
À partir de n°1 - Coll.
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Bacon le Cannibale - Perrine Le Querrec
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Slanted 30 - Athens
Musique pour les yeux - Johann Bertrand Dhy
Ventoline 5 - Coll.
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Imagos - Noémie Lothe 























