Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Le déclin du professeur de tennis - Fabienne Radi
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Papier magazine n°06 - Coupe du monde
twen [1959–1971]
Slanted 30 - Athens
Ellipse - Ismail Alaoui-Fdili
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Il était deux fois - Gary Colin
L'inventaire des destructions - Éric Watier
Design sous artifice : la création au risque du machine learning - Anthony Masure
Pectus Excavatum - Quentin Yvelin
Conservation - Thérèse Verrat & Vincent Toussaint
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Alma Mater n°1
Dear Paul - Paul Van der Eerden
La tour Tatline - Georgi Stanishev
Catalogue Art Guys - That's painting productions, Bernard Brunon
Wayfaring - Patrick Messina, André S. Labarthe 























