Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Mökki n°2
Tomber dans l'escalier - Jasper Sebastian Stürup
Imagos - Noémie Lothe
Pectus Excavatum - Quentin Yvelin
Citrus maxima xparadisi - coll.
Musée des Beaux-Arts - Pierre Martel
Dessins pour Rugir - Virginie Rochetti
Seoul Flowers & Trees - tribute to Lee Friedlander
Blaclywall by Sihab Baik - Claude Closky
Sillo n°3 - Le Fauve
Keywording (Post) Contemporary Art - Greta Rusttt
Tableaux fluo - 2013-2016 - Nina Childress
ARTZINES #1, Paris issue
Tchat - Gary Colin
Temps d'arrêt - Etienne Buyse 























