Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Before Science - Gilles Pourtier, Anne-Claire Broc'h
La Typographie Moderne - Robin Kinross
La traversée - Magali Brueder
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Editer l’art – Leszek Brogowski
ICCMHW - Atelier Choque Le Goff
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Du Fennec au Sahara - Guillaume Pinard
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Imagos - Noémie Lothe
Temps d'arrêt - Etienne Buyse 























