Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Imagos - Noémie Lothe
Critique & création - L.L. de Mars
Un peu comme voir dans la nuit - Leif Elggren + CD
the Ghost of Weaving - Coll.
Hobo Nickel - Damien Sauvage
Grilles - Zelda Mauger
Eros negro n°3 - Démoniak
Retour d'y voir - n° 1 & 2 - Mamco
Inventer l'école, penser la co-création - Marie Preston
Papier magazine n°06 - Coupe du monde
It was a good day - Jeremy Le Corvaisier
À partir de n°1 - Coll.
Strates & Archipels - Pierre Merle
Eros Negro # 1 - Demoniak
Temps d'arrêt - Etienne Buyse 























