Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Tools #04 – Couper / To Cut
Bacon le Cannibale - Perrine Le Querrec
Cf. - Pierre Olivier Arnaud
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Musée des Beaux-Arts - Pierre Martel
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Critique & création - L.L. de Mars
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Dernier royaume - Quentin Derouet
Le blanc nez - Fouss Daniel 























