Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Poèmes - Yvonne Rainer
Retour d'y voir - n° 1 & 2 - Mamco
(page 1 et 17) - Lorraine Druon
In The Navy - Julien Kedryna
La construction - Perrine Le Querrec
Prose postérieure - Les commissaires anonymes
Lili, la rozell et le marimba / revue n°2
Avec ce qu'il resterait à dire - Anne Maurel
Après la révolution – numéro 1
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Email Diamant - Fabienne Radi
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
La tour Tatline - Georgi Stanishev
Le blanc nez - Fouss Daniel 























