Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
(page 1 et 17) - Lorraine Druon
Graphure et Peintrisme n°2 - B. Bonnemaison-Fitte, G. Pithon et M. Kanstad Johnsen
Le chateau enchanté - Atelier Mclane
Eros negro n°3 - Démoniak
La mémoire en acte - Quarente ans de création musicale
Les Grands Ensembles - Léo Guy-Denarcy
Dark optics - David Claerbout
Aristide n°4
Le dos des choses - Guillaume Goutal
twen [1959–1971]
Dernier royaume - Quentin Derouet 























