Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Un essai sur la typographie - Eric Gill
Tee A. Corinne: A forest fire between us - Charlotte Flint (ed.)
Bliss - Gloria Glitzer
Ventoline 6 - Coll
Berlin Khaltura - Iliazd
Photographic Fields - Joël Van Audenhaege
Sex Work is Work - Inmensidades
De lave et de fer - Laurent Feynerou
Underground graphic design archive Paris
Le Poisson-qui-flotte - Jérémie Gindre
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Avec ce qu'il resterait à dire - Anne Maurel
Berlin Design Digest
Dear Paul - Paul Van der Eerden
Pectus Excavatum - Quentin Yvelin
SKKS - Gilles Pourtier
Dessins pour Rugir - Virginie Rochetti
Papier magazine n°06 - Coupe du monde
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
GENUINE OCCIPUT DATA - Hector Mosko
Retour d'y voir - n° 1 & 2 - Mamco
AMONG THE TREES - LIVIA DE MAGISTRIS
Prose postérieure - Les commissaires anonymes
Spectres n°4 - Mille voix
Sillo n°3 - Le Fauve
À partir de n°1 - Coll.
America - Ayline Olukman, Hélène Gaudy 























