Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Pour une esthétique de l'émancipation - Isabelle Alfonsi
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Délié - Baptiste Oberson
À partir de n°1 - Coll.
Il était deux fois - Gary Colin
Bambi # 4 - Collectif
Tomber dans l'escalier - Jasper Sebastian Stürup
Mökki n°4
Burning Images, A History of Effigy Protests - Florian Göttke
Mökki n°2
Migrant Mother, Migrant Gender - Sally Stein
La construction - Perrine Le Querrec
Artzines # 10 - Show & Tell #2 NY Special
Holy etc. - Fabienne Radi
Rasclose - Geoffroy Mathieu 























