Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Le blanc nez - Fouss Daniel
Humoral Fortuities - Francesco Albano’s
Instructional Photography: Learning How to Live Now - Carmen Winant
š! #39 'The End' - coll.
Avec ce qu'il resterait à dire - Anne Maurel
Bruits - Emmanuel Madec
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Catalogue Art Guys - That's painting productions, Bernard Brunon
Before Science - Gilles Pourtier, Anne-Claire Broc'h 























