Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Der Erste Rotkehlchen - Le livre
Modern Instances, The Craft of Photography - Stephen Shore
Délié - Baptiste Oberson
Burning Images, A History of Effigy Protests - Florian Göttke
Roven n°4
L'œuvre des matières - Ivry Serres
Konrad Becker - Dictionnaire de réalité stratégique
Inframince et hyperlié - Philippe Lipcare
Eldorado maximum - Les commissaires anonymes
Optical Sound 3
Titanic Orchestra - Julien Mauve
Objets Minces - Collectif
SKKS - Gilles Pourtier
☀ - Manon Demarles
Dark optics - David Claerbout
La traversée - Magali Brueder
Rois de la forêt - Alain Garlan
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Watch out - Anne-Émilie-Philippe
Eros negro n°3 - Démoniak
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
interférence - 2 - maycec
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
CURIOSITY — David Lynch
MENU メニュー - Wataru Tominaga
Before Science - Gilles Pourtier, Anne-Claire Broc'h 























