Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Blaclywall by Sihab Baik - Claude Closky
Hybrid heads - Daniela Dossi
Piano - Joseph Charroy
Le singe et le bijoux - Roxane Lumeret
Sillo n°3 - Le Fauve
Pour une esthétique de l'émancipation - Isabelle Alfonsi
La mémoire en acte - Quarente ans de création musicale
Vanishing Workflows - Xavier Antin
Critique d'art n°54
Dernier royaume - Quentin Derouet
Graphure et Peintrisme n°2 - B. Bonnemaison-Fitte, G. Pithon et M. Kanstad Johnsen
Soundtrack/s - Rosaire Appel
Gros Gris n°4 - Duel
L'inventaire des destructions - Éric Watier
Dédale - Laurent Chardon 























