Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Sur la page, abandonnés — vol.3
Le corps travesti - Michel Journiac
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Parataxes + CD - Michael Gendreau
Morph - Camilo García A.
Bisou Magique - Coll.
La traversée - Magali Brueder
Bambi # 4 - Collectif
L'inventaire des destructions - Éric Watier
Perturbations - Rosaire Appel
Berlin Design Digest
Konrad Becker - Dictionnaire de réalité stratégique
Dédale - Laurent Chardon 























