Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Délié - Baptiste Oberson
Pectus Excavatum - Quentin Yvelin
Konrad Becker - Dictionnaire de réalité stratégique
Entretiens – Jérôme Dupeyrat
Slanted 24 - Istanbul
La grande surface de réparation - Gilles Pourtier
Florina Leinß - Ersatzteillager
Les voiles de Sainte-Marthe - Christian Rosset
Deep state - Mathieu Desjardins
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
IBM – Graphic Design Guide from 1969 to 1987
People in a faraday cage - Stéphanie Gygax
Spécimen Typographique : No Ko - Loris Pernoux
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Titanic Orchestra - Julien Mauve 























