Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Sights - Henry McCausland
Seoul Flowers & Trees - tribute to Lee Friedlander
Rasclose - Geoffroy Mathieu
Assembly - Sam Porritt
Le corps travesti - Michel Journiac
Photographic Fields - Joël Van Audenhaege
Sillo n°3 - Le Fauve
Un essai sur la typographie - Eric Gill
In The Navy - Julien Kedryna
Je ne peux pas ne pas - Geneviève Romang
Entretiens – Jérôme Dupeyrat
Awakening at the inn of the birds - Aymeric Vergnon
It was a good day - Jeremy Le Corvaisier
Optical Sound 2
Dernier royaume - Quentin Derouet
Titanic Orchestra - Julien Mauve
La grande surface de réparation - Gilles Pourtier
Le dos des choses - Guillaume Goutal 























