Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

ARTZINES #1, Paris issue
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Les Grands Ensembles - Léo Guy-Denarcy
IBM – Graphic Design Guide from 1969 to 1987
ARTZINES #7 - Berlin issue
Pectus Excavatum - Quentin Yvelin
Sans titre - Benjamin Hartmann
La typographie des Penguin Classics - Andrew Barker
Le dos des choses - Guillaume Goutal
interférence - 2 - maycec
Optical Sound 2
Machiavel chez les babouins - Tim Ingold
Ar(t)chitectures situées - Étienne Delprat
Ilya Ehrenbourg - Et pourtant elle tourne
In The Navy - Julien Kedryna
Blaclywall by Sihab Baik - Claude Closky
Lili, la rozell et le marimba / revue n°2 























