Book: limited edition to 500 copies, hand numbered & hand stamped.
hardcover book (24 cm x 22 cm) on Munken Print, 96 pages, 54 photos, printed on Munken Print White Main 1.8 115g/m2, logo, slot and circle embossed,
matt laminate soft touch finish with selective varnish.
Vinyl: limited edition to 300 copies, hand numbered.
DDM cut, 12 » black vinyl 180gm, matt outer sleeve + UV selective varnish on 350gm paper, black paper inners. mastered by Taylor Deupree.

Albarrán Cabrera are the photographers Anna Cabrera (b. 1969, Sevilla) and Angel Albarrán (b. 1969, Barcelona) who work together as a collaborative duo based in Barcelona.
The work of Albarrán Cabrera has been shown in galleries and photo fairs in Spain, Japan, Switzerland, The Netherlands, France, Germany, Lebanon, Italy and the United States. Anna and Angel have both studied under photographers such as Humberto Rivas and Toni Catany, among others.Some of their prints have become part of private collectors and institutions such as Hermes, Goetz Collection, Banco de Santander, Fundación de Ferrocarriles Españoles among others. They have also produced printing work for several institutions like Fundació La Pedrera in Barcelona, Fundació Toni Catany in Mallorca, Reina Sofia Museum in Madrid or Barcelona Photographic Archive.
‘’ There is a gap between reality and what we understand as real. And photography lies in the frontier between the real and unreal, the true and the false. So it helps us to “see” what is hidden from us. (…) We use a wide range of processes and materials. Some of these processes are the result of the combination of several old photographic processes or they can be a mixture of new and old ones. Thus we use, platinum, palladium, cyanotype or gelatine silver processes. But we have also invented and developed new processes, as it is the case of the one we use for our colour prints: pigments, Japanese paper and gold leaf. All this serves just one single purpose: we want to have far more parameters to play with the viewer than just the image. The texture, colour, finishing, tones; even the border of a print can give extra information to the viewer. And you can have a better control over this information just using the correct process and materials for a specific image.. (Albarrán Cabrera) ‘’. (www.albarrancabrera.com)
Federico Durand is an Argentinian musician and composer who has recorded since 2010 twelves solo albums through some labels among others as Spekk, Home Normal, White Paddy Mountain, 12k. Federico Durand’s music is a weave of sound searching introspection and delight through simple melodies, made in the heart of Argentina. He likes music, gardens, John Keats’ poetry, collecting stamps and Earl Grey tea. He has also a musical project with Tomoyoshi Date (Opitope, Illuha) called Melodía.
(www.federicodurand.bandcamp.com)

Artzines # 10 - Show & Tell #2 NY Special
movement in squares - Stefanie Leinhos
La France de tête - Lot de 4 numéros
Illusive prosody - Alex Beaurain
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Berlin Design Digest
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Titanic Orchestra - Julien Mauve
La typographie des Penguin Classics - Andrew Barker
An artist - Malena Pizani
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Der Erste Rotkehlchen - Le livre
Musée des Beaux-Arts - Pierre Martel
Strates - Else Bedoux
Critique d'art n°55
Vacuité 9090 - Jérémy Piningre
Lili, la rozell et le marimba / revue n°2
Talweg 6 - La distance
La traversée - Magali Brueder
Sans titre - Chris Kiss
Hérésie Étiologique - coll.
Cuadernos - Henry Deletra
From red to red - Jean-Pierre Bertrand, Patrick Javault
Polygone n°01 - Amour - Collectif
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro
Le style anthropocène - Philippe Rahm
Retour d'y voir - n° 1 & 2 - Mamco
IRL - In real life n°1 - Coll.
Un cahier - Michel Quarez
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Temps d'arrêt - Etienne Buyse
Du Fennec au Sahara - Guillaume Pinard
À partir de n°1 - Coll.
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
akaBB - tribute to Roni horn
Editer l’art – Leszek Brogowski
Dessins pour Rugir - Virginie Rochetti
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Le chateau enchanté - Atelier Mclane
Konrad Becker - Dictionnaire de réalité stratégique
Gone - Pierre La Police
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Wayfaring - Patrick Messina, André S. Labarthe
Dédale - Laurent Chardon
Photographic Fields - Joël Van Audenhaege
Critique & création - L.L. de Mars
Before Science - Gilles Pourtier, Anne-Claire Broc'h
The Shelf - Journal 3
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Regards croisés — Gekreutze Blicke - Yeloyolo
Florina Leinß - Ersatzteillager
Ventoline 5 - Coll.
Délié - Baptiste Oberson
Le vieux père - Laurent Kropf
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Flower finds - Orianne Jeanselme
Dear Paul - Paul Van der Eerden
Pectus Excavatum - Quentin Yvelin
Dernier royaume - Quentin Derouet 















