People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Le chateau enchanté - Atelier Mclane
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Polygone n°01 - Amour - Collectif
š! #39 'The End' - coll.
Shanghai Cosmetic - Leslie Moquin
Keywording (Post) Contemporary Art - Greta Rusttt
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Image Canoë - Jérémie Gindre
Regards croisés — Gekreutze Blicke - Yeloyolo
Pectus Excavatum - Quentin Yvelin
Six Months - Nathalie Ghanem-Latour
Illusive prosody - Alex Beaurain
In the presence of being absent... Arrgh. - Stéphanie Leinhos
Le singe et le bijoux - Roxane Lumeret
Aurore Colbert - Marie Mons
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Ludmilla Cerveny - Work
Philonimo - Le Canard de Wittgenstein - Alice Brière-Haquet, Loïc Gaume
Birds - Damien Poulain
Offrir des fleurs
Halogénure #04
L'arum tacheté de J-M. Bertoyas
Tchat - Gary Colin
Du Fennec au Sahara - Guillaume Pinard
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Imagos - Noémie Lothe 











































