People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

L'Abeille de Saint-Simon - Alice Brière-Haquet / Mai Li Bernard
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Critique & création - L.L. de Mars
fig. #6 - antithèse
Hérésie Étiologique - coll.
Le chateau enchanté - Atelier Mclane
Le corps travesti - Michel Journiac
Holy Mountain - Maia Matches, Knuckles & Notch
Imagos - Noémie Lothe
Gros Gris n°4 - Duel
SKKS - Gilles Pourtier
Délié - Baptiste Oberson
Eros negro #2 - Demoniak
Dédale - Laurent Chardon
(page 1 et 17) - Lorraine Druon
Dernier royaume - Quentin Derouet
Saint Julien l'hospitalier Tome 2 - Claire Pedot
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Copy This Book - Eric Schrijver
America - Ayline Olukman, Hélène Gaudy
Le blanc nez - Fouss Daniel
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Une goutte d'homme - Alice Dourlen
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Mökki n°2
Dans la Lune - Fanette Mellier
interférence - 3 - maycec
Tableaux fluo - 2013-2016 - Nina Childress
Poèmes - Yvonne Rainer
Before Science - Gilles Pourtier, Anne-Claire Broc'h
La France de tête - Lot de 4 numéros
La traversée - Magali Brueder
Temps d'arrêt - Etienne Buyse 











































