People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Retour d'y voir - n° 3 & 4 - Mamco
Catalogue Art Guys - That's painting productions, Bernard Brunon
Entretiens – Jérôme Dupeyrat
Délié - Baptiste Oberson
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Good Company - Paul Van der Eerden
To Be Determined: Photography and the Future - Duncan Wooldridge
Titanic Orchestra - Julien Mauve
akaBB - tribute to Roni horn
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Le corps travesti - Michel Journiac
Saint Julien l'hospitalier Tome 1 - Claire Pedot
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
La Vie moderne - Augustin Rebetez
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Temps d'arrêt - Etienne Buyse
Deep state - Mathieu Desjardins
interférence - 3 - maycec
fig. #6 - antithèse
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Papier magazine n°06 - Coupe du monde
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
All Wet - Maryin Winter
Critique & création - L.L. de Mars
(page 1 et 17) - Lorraine Druon
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Un cahier - Michel Quarez
De lave et de fer - Laurent Feynerou
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
L'arum tacheté de J-M. Bertoyas
Pectus Excavatum - Quentin Yvelin 











































