People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Génération dakou - Yann Jun + CD
Eldorado maximum - Les commissaires anonymes
Turbo Decompress - Coll.
Temps d'arrêt - Etienne Buyse
Promenade au pays de l'écriture - Armando Petrucci
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Sillo n°3 - Le Fauve
Titanic Orchestra - Julien Mauve
Halfgrijs - Coll.
Der Erste Rotkehlchen - Le livre
Après la révolution – numéro 1
Objets Minces - Collectif
In The Navy - Julien Kedryna
Darkest Night - Joel Van Audenhaege
Éclats III - Athanor
(page 1 et 17) - Lorraine Druon
Le blanc nez - Fouss Daniel
Photographic Fields - Joël Van Audenhaege
Jawa Tengah Combo - Fred Maillard
C'est les vacances n°2 - coll. dir. Eugénie Zely
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Konrad Becker - Dictionnaire de réalité stratégique
Alma Mater n°1
Piano - Joseph Charroy
Paysageur n°3 - Mobiles
Dernier royaume - Quentin Derouet
Le corps travesti - Michel Journiac
Design sous artifice : la création au risque du machine learning - Anthony Masure
Entretiens – Jérôme Dupeyrat
Eros negro n°3 - Démoniak
MENU メニュー - Wataru Tominaga
Teddy et le Grand Terrible - Orian Mariat.
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Pectus Excavatum - Quentin Yvelin 











































