People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Le vieux père - Laurent Kropf
Je ne peux pas ne pas - Geneviève Romang
Gone - Pierre La Police
Gros Gris n°4 - Duel
Titanic Orchestra - Julien Mauve
Piano - Joseph Charroy
Alma Mater n°1
Holy etc. - Fabienne Radi
Une goutte d'homme - Alice Dourlen
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
il y avait une ville - Laeticia L'Heureux
Dédale - Laurent Chardon
Holy Mountain - Maia Matches, Knuckles & Notch
Lili, la rozell et le marimba / revue n°2
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Dans la Lune - Fanette Mellier
Dear Paul - Paul Van der Eerden
Le lacéré anonyme - Jacques Villeglé
Sans titre - Chris Kiss
Machiavel chez les babouins - Tim Ingold
Citrus maxima xparadisi - coll.
À partir de n°4 - Collectif
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Karbone Magazine n°8 - Parasite
Aurore Colbert - Marie Mons
Der Erste Rotkehlchen - Le livre
Temps d'arrêt - Etienne Buyse
Mökki n°2
Critique d'art n°56
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Poèmes - Yvonne Rainer
Fluent - Laëticia Donval
Cyclone - Juliette Chalaye
Eros negro n°4 - Démoniak
Norovirus - Orgie en mers chaudes - Claude Grétillat
La traversée - Magali Brueder 











































