People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Gros Gris n°4 - Duel
Dialogue de dessins 7 - Jochen Gerner, Guillaume Chauchat
Comment réparer : La maternité et ses fantômes - Iman Mersal
Seoul Flowers & Trees - tribute to Lee Friedlander
Les Grands Ensembles - Léo Guy-Denarcy
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Le vieux père - Laurent Kropf
Le dos des choses - Guillaume Goutal
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Grilles - Zelda Mauger
Comic Book (Untitled) - Stéphanie Leinhos
Der Erste Rotkehlchen - Le livre
An Inventory Of - Daniele Franzella
Buiding a wall - A book by Roméo Julien
Habitante 2 - Coll.
Modern Instances, The Craft of Photography - Stephen Shore
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Sillo n°3 - Le Fauve
Mökki n°4
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Savoir Revivre - Jacques Massacrier
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
AARC – Alter Architecture Research Collective n° 01
Mökki n°2
Holy Mountain - Maia Matches, Knuckles & Notch
Pectus Excavatum - Quentin Yvelin
Graphzine Visages
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Email Diamant - Fabienne Radi
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Piano - Joseph Charroy
America - Ayline Olukman, Hélène Gaudy
Hybrid heads - Daniela Dossi
Philonimo - Le Loup de Hobbes - Alice Brière-Haquet, Herbéra
Le corps travesti - Michel Journiac
ARTZINES #1, Paris issue
De tels baisers - Jul Gordon
Le lacéré anonyme - Jacques Villeglé
Salt Crystal - Fabio Parizzi
Catalogue Art Guys - That's painting productions, Bernard Brunon
IRL - In real life n°1 - Coll.
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Atopoz - Collectif
Shanghai Cosmetic - Leslie Moquin
Dernier royaume - Quentin Derouet 











































