People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Objets Minces - Collectif
Mosaïque d'asphalte - Jack Torrance
Les glaciers - Lorraine Druon
MENU メニュー - Wataru Tominaga
How Many - Nathalie Du Pasquier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Seoul Flowers & Trees - tribute to Lee Friedlander
Good Company - Paul Van der Eerden
Editer l’art – Leszek Brogowski
Gros Gris n°4 - Duel
Aurore Colbert - Marie Mons
Délié - Baptiste Oberson
Photographic Fields - Joël Van Audenhaege
Critique d'art n°54
Entretiens – Jérôme Dupeyrat
Critique & création - L.L. de Mars
Le Choix du peuple - Nicolas Savary, Tilo Steireif
America - Ayline Olukman, Hélène Gaudy
Débris N°2 - Théo Garnier Greuez
Ellipse - Ismail Alaoui-Fdili
Eros negro #2 - Demoniak
Critique d'art n°55
Lavalse des tambours - Paul Rey
Tomber dans l'escalier - Jasper Sebastian Stürup
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
In The Navy - Julien Kedryna
L'inventaire des destructions - Éric Watier
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
BIC011 Montes - Braulio Amado
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Halogénure #04
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
SKKS - Gilles Pourtier 











































