Wasteland, as a result of their emptiness and lack of purpose reveal themselves to be nonconforming to social norms. They thus represent locations for freedom and are conducive to the imagination. From this observation is born a desire to undergo a life experience in a waste ground, turning this location into a kingdom, an open-air studio. It becomes a playground where one may celebrate materiality and physical experimentation, a territory where one may escape the virtual and technological world. Wanting to operate a return to a form of simplicity, the naive desire to undergo a kind of « tabula rasa » is not without recollecting a kind of rebellion.

Constructing in order to destroy – all of which is bound to physical and intuitive experiences, which is somewhat absurd, yet resolutely childlike. From this emptiness which waste grounds can evoke, they are in reality a reserve of shapes and impoverished materials. An economy of means which, when nourished by the virtue of a childlike naivety, allow us to envisage these materials as the essence of various games and constructions.
64 pages, 23×30cm
Offset printing
Silkscreen cover

À partir de n°3 - Collectif
Sex I - Kingué Camille
Entrez sans sonnet - Julie Redon
Wayfaring - Patrick Messina, André S. Labarthe
A l'origine - Anne-Émilie-Philippe
Promenade au pays de l'écriture - Armando Petrucci
L'internationale modique (AND 3) - J-M. Bertoyas
Strates & Archipels - Pierre Merle
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Catalogue Art Guys - That's painting productions, Bernard Brunon
Sillo n°3 - Le Fauve
Les soleils qui tournent ont des oreilles - coll.
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Papier magazine n°06 - Coupe du monde 













