Wasteland, as a result of their emptiness and lack of purpose reveal themselves to be nonconforming to social norms. They thus represent locations for freedom and are conducive to the imagination. From this observation is born a desire to undergo a life experience in a waste ground, turning this location into a kingdom, an open-air studio. It becomes a playground where one may celebrate materiality and physical experimentation, a territory where one may escape the virtual and technological world. Wanting to operate a return to a form of simplicity, the naive desire to undergo a kind of « tabula rasa » is not without recollecting a kind of rebellion.

Constructing in order to destroy – all of which is bound to physical and intuitive experiences, which is somewhat absurd, yet resolutely childlike. From this emptiness which waste grounds can evoke, they are in reality a reserve of shapes and impoverished materials. An economy of means which, when nourished by the virtue of a childlike naivety, allow us to envisage these materials as the essence of various games and constructions.
64 pages, 23×30cm
Offset printing
Silkscreen cover

Piano - Joseph Charroy
Escape - Makiko Minowa
On-off Tones - Anna Bergquist
Chausse-trape - Henri Crabières
Beatmap - Alex Besikian
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Boundary - Nigel Peake
Dédale - Laurent Chardon
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Feminae Explorarum - Ingrīda Pičukān
Entrez sans sonnet - Julie Redon
genital or genius - Paul
love forever - Victoria Hespel
Prose postérieure - Les commissaires anonymes
Roven n°4
Poèmes - Yvonne Rainer
Temps d'arrêt - Etienne Buyse 













