Wasteland, as a result of their emptiness and lack of purpose reveal themselves to be nonconforming to social norms. They thus represent locations for freedom and are conducive to the imagination. From this observation is born a desire to undergo a life experience in a waste ground, turning this location into a kingdom, an open-air studio. It becomes a playground where one may celebrate materiality and physical experimentation, a territory where one may escape the virtual and technological world. Wanting to operate a return to a form of simplicity, the naive desire to undergo a kind of « tabula rasa » is not without recollecting a kind of rebellion.

Constructing in order to destroy – all of which is bound to physical and intuitive experiences, which is somewhat absurd, yet resolutely childlike. From this emptiness which waste grounds can evoke, they are in reality a reserve of shapes and impoverished materials. An economy of means which, when nourished by the virtue of a childlike naivety, allow us to envisage these materials as the essence of various games and constructions.
64 pages, 23×30cm
Offset printing
Silkscreen cover

Aristide n°4
The Shelf - Journal 3
Photographic Fields - Joël Van Audenhaege
Mosaïque d'asphalte - Jack Torrance
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Gros Gris n°4 - Duel
Le chateau enchanté - Atelier Mclane
Mökki n°4
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Sights - Henry McCausland
Hérésie Étiologique - coll.
Lavalse des tambours - Paul Rey
SKKS - Gilles Pourtier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Auprès, au sein — Julien Van Anholt
love forever - Victoria Hespel
interférence - 2 - maycec
Dédale - Laurent Chardon
Temps d'arrêt - Etienne Buyse 













