Wasteland, as a result of their emptiness and lack of purpose reveal themselves to be nonconforming to social norms. They thus represent locations for freedom and are conducive to the imagination. From this observation is born a desire to undergo a life experience in a waste ground, turning this location into a kingdom, an open-air studio. It becomes a playground where one may celebrate materiality and physical experimentation, a territory where one may escape the virtual and technological world. Wanting to operate a return to a form of simplicity, the naive desire to undergo a kind of « tabula rasa » is not without recollecting a kind of rebellion.

Constructing in order to destroy – all of which is bound to physical and intuitive experiences, which is somewhat absurd, yet resolutely childlike. From this emptiness which waste grounds can evoke, they are in reality a reserve of shapes and impoverished materials. An economy of means which, when nourished by the virtue of a childlike naivety, allow us to envisage these materials as the essence of various games and constructions.
64 pages, 23×30cm
Offset printing
Silkscreen cover

De lave et de fer - Laurent Feynerou
Holy etc. - Fabienne Radi
Augure - Rodrigue de Ferluc
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Turbo Decompress - Coll.
Génération dakou - Yann Jun + CD
Denver Mosaic 1961 - René Heyvaert
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Guten Tag - Pablo Tomek
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Le blanc nez - Fouss Daniel
akaBB - tribute to Roni horn
Shanghai Cosmetic - Leslie Moquin
LSD n° 03 – A DIY Issue
ICCMHW - Atelier Choque Le Goff
Optical Sound 2
Prose postérieure - Les commissaires anonymes
Mökki n°4
Phasing Consequence - Louis Reith
Alma Mater n°1
Before Science - Gilles Pourtier, Anne-Claire Broc'h 













