‘Oscurana’ presents a body of work that results from the various trips that Antoine d’Agata has made during more than thirty years in American countries: Brazil, Peru, Nicaragua, Salvador, Ecuador, Bolivia, Guatemala, Haiti, Puerto Rico, United States, Cuba, and Mexico.

The images are notable for its immediate, almost brutal vision of the societies taken by the brutal spiral of violence. Through the degeneration and paroxysm of the flesh, the photographer tries to reveal fragments of a society that escape the usual analysis and visualization of the collective body. He exposes himself, sharpens his awareness of a world that absorbs and feeds, without any precaution or judgment.
Edited from a common selection of Antoine d’Agata’s images from Latin America, 7 different books share the same dimensions, title and artistic statement – a text called ‘Oscurana’. The project is done by different invited publishers, that were given the freedom to select the images, the design, the materials, printing and binding techniques.
‘Oscurana’ is a collaborative project developed amongst 6 publishers from different countries. Offering a reflection on the work of the Antoine d’Agata by several countries and publishers, in a dialogue that opens new perspectives in the ways of making photobooks.
For ‘Oscurana’ project, Void proposes a book to be autopsied. The reader will dig in the darkness within Antoine’s oeuvre, being themselves, the legists of d’Agata’s universe. An investigation from the intimacy, through the narcotic experiences until the darkness of the violence’s banality in America.
120 Pages
400 copies
Softcover

Halogénure #04
Hérésie Étiologique - coll.
Turbo Decompress - Coll.
Papier magazine n°06 - Coupe du monde
Illusive prosody - Alex Beaurain
Photographic Fields - Joël Van Audenhaege
ARTZINES #1, Paris issue
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Editer l’art – Leszek Brogowski
Revue Les Saisons n°3
Offrir des fleurs
Dark optics - David Claerbout
Le dernier homme - Johann Rivat
Rois de la forêt - Alain Garlan
Vacuité 9090 - Jérémy Piningre
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Ellipse - Ismail Alaoui-Fdili
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Deep state - Mathieu Desjardins
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Imagos - Noémie Lothe
16 x 421 - Lorraine Druon
Entretiens – Jérôme Dupeyrat
Bambi # 4 - Collectif
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Ventoline 5 - Coll.
Graphzine Visages
il y avait une ville - Laeticia L'Heureux
Retour d'y voir - n° 3 & 4 - Mamco
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
Pénurie - Zivo, Jérôme Meizoz
Zoom Age - Julien Auregan
Pectus Excavatum - Quentin Yvelin
Eros negro #2 - Demoniak
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Lisa Zordan . one-shot the end
Eros negro n°4 - Démoniak
Good Company - Paul Van der Eerden
Le chateau enchanté - Atelier Mclane
10 MINUTES Architects and Designers in Conversation
Typologie – La tente de camping
Tomber dans l'escalier - Jasper Sebastian Stürup
Mökki n°2
Science of the secondary #11 - Banana
The Book Fight - Chihoi
Piano - Joseph Charroy 



















