A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Mariken Wessels — Miss Cox
Carnivore - Grow
Wayfaring - Patrick Messina, André S. Labarthe
Pectus Excavatum - Quentin Yvelin
Norovirus - Orgie en mers chaudes - Claude Grétillat
Paravents - Eva Taulois
Pilote - Mathilde Sauzay
Aube - Caroline Bachmann
It was a good day - Jeremy Le Corvaisier
本の本の本 - antoine lefebvre editions,
A Compilation Of Contemporary Letter Designs 



















