A treasure trove of Japanese ’60s graphic design, as captivating now as it was then.

After World War II, alphabet typography became an everyday part of life in Japan as printed materials, notices, and signs in foreign languages, particularly English, flooded streets and homes alike. With their well-defined forms, rhythmical lines, and variously delicate, dignified, or fanciful air, these letters and symbols not only brilliantly satisfied their original design purpose, but are delightful to look at even today.
This volume, a reedited reprint of a collection originally published in 1962, brings together the best of alphabet typography from ’60s Japan, including some seventy letter and number fonts both practical and ornamental along with roughly a thousand monograms combining letters and numerals in a variety of forms.
□ size: 148 × 105 × 24 mm, 210 g
□ binding: softcover
□ pages: 276

Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Prélude - Julien Gobled
An Inventory Of - Daniele Franzella
Guerre - Marion Jdanoff (nouvelle éditions)
Guten Tag - Pablo Tomek
L'eau jusqu'au nombril - Lilian Froger
Inchiostri + Inchiostri Supplement - Ronan Bouroullec
Clubhouse #14 - Colorama Books
Distant Egghug - Peter McDonald
Mökki n°4
Janitor of Lunacy - Bryan Campbell
Dear Paul - Paul Van der Eerden
Lumières - Guillaume Chauchat
Plant-Based Monster Trucks - Lina Müller, Luca Schenardi
Anémochorie - Antonin Detemple
The Book Fight - Chihoi
Spécimen Typographique : No Ko - Loris Pernoux 



















